1560-1609
Italian
Annibale Carracci Locations
Painter, draughtsman and printmaker, brother of (2) Agostino Carracci. Since his lifetime, he has been considered one of the greatest Italian painters of his age. His masterpiece, the ceiling (1597-1601) of the Galleria Farnese, Rome, merges a vibrant naturalism with the formal language of classicism in a grand and monumental style. Annibale was also instrumental in evolving the ideal, classical landscape and is generally credited with the invention of CARICATURE. Related Paintings of Annibale Carracci :. | A Man with a Monkey | Der Bohnenesser | Choice of Hercules | The Holy Family Rests on the Fight into Egypt | Fishing (mk05) | Related Artists:
Andrea PrevitaliItalian Early Renaissance Painter, ca.1470-1528,was an Italian painter of the Renaissance period, active mainly in Bergamo. He was a pupil of the painter Giovanni Bellini. In Bergamo, he painted a John the Baptist preaching with other saints (1515) for the church of Santo Spirito; a San Benedetto and other saints for the Cathedral of Bergamo, and a Deposition from the Cross for Sant Andrea.
Victor Gilbert1847-1935
French
Victor Gilbert Gallery
CALRAET, Abraham vanDutch painter, Dordrecht school (b. 1642, Dordrecht, d. 1722, Dordrecht)
Dutch painter. He was the eldest son of Pieter Jansz. van Calraet (c. 1620-81), a sculptor from Utrecht. According to Houbraken, Abraham was taught by the Dordrecht sculptors Aemilius and Samuel Huppe, although nothing is known of his activity as a sculptor. Houbraken also stated that Abraham learnt to paint figures and fruit and that his brother Barent van Calraet (1649-1737), who specialized at first in horse paintings but later imitated the Rhine landscapes of Herman Saftleven, was a pupil of Aelbert Cuyp (see CUYP, (3)). The known signed works by Barent confirm this. A painting of two horses in a stable, initialled APK (Rotterdam, Mus. Boymans-van Beuningen), indicates that Abraham, too, must have been well acquainted with Cuyp and provides the basis for identifying Abraham's painting style. A large number of landscapes with horses, paintings of livestock in stables and still-lifes, all initialled A.C. and formerly attributed to Aelbert Cuyp,